emily koh, composer

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	news \| past news \| press "Scored for the same orchestral forces as Firebird, Koh did not attempt to imitate or recreate the Russian's style. Instead her tone poem was a wholly original essay reflecting a mysterious sound world on the threshold of tonality... which all made for an atmospheric and satisfying appetiser for the ballet's main course." - Chang Tou Liang, The Straits Times "Emily Koh’s beautifully eerie [circum]-perceptio, built in layers of delicate string, piano and woodwind timbres, was another highlight of the Signal program. - Allan Kozinn, New York Times "Most impressive to me was Generations... Emily Koh's subtley spicy score produced some strong lyricism..." - Tim Smith, Baltimore Sun "The future of composing in Singapore lies in people like Emily Koh" -Tara Tan, The Straits Times "a talent with great potential to grow further" - An Tuireann Arts Centre "piquant to the senses, harmonious and pleasing to the soul" - Chang Tou Liang, The Straits Times "a familiar ring of tonality...' - Chang Tou Liang, The Straits Times "very atmospheric with an almost primal quality about it’ - Uliang "striking – unusual timbres and balanced, elegant gestures’ - James Ross "smart, stylish and very distinct’ - Omri Lahav "very beautiful work' - Emily Hope Price "exciting and unusual' - Göran S. Jonasson

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emily koh, composer © 2007-2011 by emily koh. all rights reserved